Making Visible What Matters: Professional Culture, Nursing Narrative, and Global Health

Nursing is indispensable to global health systems. It constitutes the largest health workforce globally and is central to universal health coverage and health promotion (ICN, 2025). Yet the way nursing is described in policy is often narrow missing what some call the art of nursing. Nursing appears as workforce capacity, service delivery, productivity, and resilience. These are important descriptors. They are not sufficient ones, they are not what brings people to nursing, makes people stay in nursing, and are not the aspect that people remember when they remember a nurse.

There is a therefore a gap between how nursing is measured and how it is lived. The measurable aspects, staffing ratios, cost-effectiveness, mortality reduction, productivity through digital care, virtual wards are visible in strategy documents and current Trust and Neighbourhood Health  cases. The less visible aspects, dignity building, relational labour, moral judgement, organisational  memory, creativity and managing complexity, rarely shape system design. Their absence is most apparent when they are missing: when care becomes efficient but impersonal; think of all the inquiries into failed care, throughput increases but trust diminishes, think of all the referrals to the NMC, when we stop seeing people and only see patients, see the rise is corridor care.

Abimbola (2026), in the article evidence of things not seen, opens with Hebrews 11:1: “Now faith is the substance of things hoped for, the evidence of things not seen” .

Whilst a religious phrase it is an example of a universal human dilemma and so a current methodological problem in how nursing is seen, heard and harmed. Not everything that matters is immediately visible. Structural inequities, epistemic injustice, and professional dignity are real forces in global health systems, and in nursing, yet they do not readily appear in dashboards or in debates about what the future of health, and of nursing will be.

The challenge for 21st century nursing is therefore cultural as much as it is technical. What counts? Who counts? What forms of knowledge are recognised as legitimate? 

This paper argues that developing a professional culture for nursing that will contribute to global health and 21st century nursing practice requires balancing nursing’s utilitarian and emancipatory dimensions, grounding that balance in all of Carper’s (1978) ways of knowing, and making visible the relational and structural dimensions of nursing practice and global health through the arts.

Holding the tension between utility of nursing and emancipation of nursing. 

Haddara and Lingard (2013) describe utilitarian and emancipatory discourses within interprofessional collaboration. The utilitarian discourse privileges measurable outcomes, efficiency, and demonstrable impact. The emancipatory discourse focuses on power, hierarchy, and structural inequity.

Nursing operates within both, yet one is seen more than the other. The utilitarian dimension is clear in policy documents and for those looking at nursing through a ‘jobs done’ lens. Investment in nursing numbers improves patient outcomes, reduces complications, and strengthens system efficiency. In resource-constrained contexts, nursing capacity is central to universal health coverage. On a global level we will are, and will be too short of nurse to provide the health systems needed to improve health.  In this sense, nursing contributes to human capital formation and economic stability and the problem of too few nurses to do what needs to be done suggests a new approach is needed. To ignore this utilitarian view of nurses would be irresponsible, to think this is all nursing is, is not just true.

Nursing is also emancipatory. It is historically embedded in struggles against gendered subordination and professional marginalisation. It witnesses, daily, how poverty, precarious housing, debt, racism, and environmental degradation shape illness trajectories, and creates ways for people to continue to live in health and with hope.

Abimbola (2026) reminds us that public health repeatedly declares the structural determination of health, yet often defaults to downstream action. It is a concern if NHS nursing strategy is only focused on such downstream action and not on the real reasons why health is unjust and nursing is undervalued and unfair.  Nursing cannot be reduced to efficiency interventions within inequitable systems.

The problem is when nurse utility is the sole narrative, when nursing is described exclusively in terms of outputs, its ethical and political dimensions so unseen, unless you are in need of a nurse, or are a nurse. A professional culture that seeks to evolve and have legitimacy in the 21st century needs to  hold effectiveness and equity, utility and emancipation together.

Carper’s epistemic spine. 

Carper’s (1978) four patterns of knowing, empirical, ethical, personal, and aesthetic, have informed nursing for 50 years yet seem forgotten in policy development. Her work provides a coherent framework for the integration needed to form a nursing profession fit for the future. 

  • Empirical knowing values research evidence and measurable outcomes.

  • Ethical knowing addresses questions of social justice and professional responsibility.

  • Personal knowing situates care within a trusted person centred relationship and professional reflexivity.

  • Aesthetic enables nurses to make sense of what cannot be seen, create safe trusted spaces and use the human aspects of nursing care to create meaning, see patterns, and practice the embodiment of care. 

Global health discourse, and current UK nursing policy papers frequently privilege empirical knowing. Funding streams require measurable return. Health systems reward what can be counted. Beyond the tangible impact on waiting lists and mortality there is another measure system evolving. Even the social return of investment measures in healthcare are calculating how interventions in health will improve people’s fitness to work. This is understandable in contexts of limited resources and with a bio medical model influencing what matters. 

However, Abimbola (2026) argues that knowledge must also be contextual and transformational. From his perspective this is within global health, but the same thinking informs how one may think of nursing.  Local sensemaking and lived experience are not secondary forms of knowledge, they are not less. 

Carper anticipated this epistemic breadth on her work, but in 20206 policy it seem empirical knowing is the only one that counts. Ethical, personal, and aesthetic knowing are foundational to safe and humane practice. They are what make nurses human.

When only empirical knowing is seen and heard and so valued, relational labour becomes invisible. And so unvalued. And so unnecessary. When ethical knowing is sidelined, moral dilemma appear and moral injury occurs. When aesthetic knowing is dismissed, meaning making of what health means to one’s life, the human element, becomes unnecessary for health. We become merely meat.

Developing global health and a professional culture for nursing and requires explicit recognition of all four patterns in education, evaluation, and leadership, and of the structural violence, the systems we as people have designed, and accepted to get exactly the inequality in health and in nursing we currently have. 

The upstream question and some poetry. 

The global distribution of health resources remains profoundly unequal  and these disparities are linked to economic and political arrangements that extend beyond clinical care, (Abimbola, 2026). Nursing is part of this inequity as a gendered and unequally distributed and unvalued workforce. The issues faced by people with less means, and the nurses who are part of their lives are not new. The arts can help show them. 

Brecht’s poem A Worker’s Speech to a Doctor crystallises the upstream question and this is the world nurses’ live alongside too. One part of the poem sums up poverty and stucural violence within health.

The pain in our shoulder comes

You say, from the damp; and this is also the reason

For the stain on the wall of our flat.

So, tell us;

Where does the damp come from?

Bertolt Brecht

The bio medical clinician identifies symptom and the cause. The worker asks about the conditions that produce the damp. Housing, wages, labour markets, political economy.

This poem exposes the limits of interventions that address symptoms without addressing context. If we only address nursing’s pain we will not address the issues causing the pain.

Brecht’s poem demonstrates how the arts can illuminate health determinants that lie beyond immediate clinical focus, and when applied to nursing, why nursing numbers are not enough to understand the issues.

Getting back to health. Nurses encounter the ‘damp’ daily, it is more than damp. The campy for people cared for is insecure employment, overcrowded housing, environmental stress, cumulative disadvantage. 

The damp in nursing is, lack of regard, lack of professional value, lack of autonomy, increased moral injury, gender inequality, racism, and then recruitment challenges and retention challenges.

Professional culture must legitimise the capacity to ask upstream questions as to why there are issues alongside designing services and education to deliver competent care. Without this duel orientation, nursing risks being seen as a task based profession and confined to symptom management within inequitable 

Relational Labour, health, interdependence and One Health. 

The upstream question leads directly to relational health. Health is not solely an individual attribute; it is produced within networks of relationship, between people, professions, communities, and ecosystems.

Carper’s personal and aesthetic knowing enables one to see this relational dimension. Ethical knowing extends responsibility beyond the individual to the social conditions that generate illness. Empirical knowing can measures outcomes within this relational field, the social return on investment, but this is not built into nursing knowledge as yet.

‘One Health’ approaches reinforce this wider than ‘my health’ perspective. Human health is connected to environmental sustainability and animal health. Climate instability, antimicrobial resistance, and zoonotic disease reveal the limits of purely clinical responses and nursing is noticing it is nursing the planet too.

The question “Where does the damp come from?” becomes ecological as well as social. It requires collaboration across disciplines and sectors, the public health aspect of nursing that cannot be seen if nurses are task based and medically managed. Nursing’s professional culture must therefore be seen  beyond task delivery and as relational stewardship within people, communities and the planet too. 

Evidence of Things not seen. Nursing and the Exhibition.

Returning to Hebrews 11:1, cited by Abimbola (2026): “Now faith is the substance of things hoped for, the evidence of things not seen”. Professional culture is built as much through what is unseen and unvalued as through what is seen and valued measured.

The arts are part of evidence making and sense making in society; the arts are what make us human. The arts make the relational and human dimensions of health visible in ways that conventional metrics cannot.

And so there is an exhibition to show the emancipatory aspect of nursing.  

The three-day exhibition at the Clore Learning Centre, Kensington Palace, is designed as a nursing narrative to suooort professional culture and a new narrative on nursing.

  • HIVStory demonstrates relational care and professional autonomy through testimony of nurses

  • SHIFT the play stages the sharing of power between nurses and patients as a dance, a lived encounter.

  • Embers of Care portrays migration and professional identity through portraits. 

  • Capes of Home, Health and Hope carries intergenerational narrative and seven-generation thinking in one artifact.

  • Mrs Drake’s Lace makes personhood visible beyond cognitive decline with dementia.

  • Can You See Me Now? a menopause sculpture and The Pause, a story that translates evaluation findings on menopause into a story.

  • Queens and Vaccines connects historical public health leadership of women of colour or from royal households to current trust of vaccines. 

  • Heads of Nursing presents collective identity from student nurses. 

  • Art of Care explores different kinds of love and ways of knowing using artifacts from caring during the middle 1900’s.

  • The Face of Nursing, an 8ft by 4ft montage of hand-drawn portraits, situates each person attending  within a collective professional narrative.

Each work makes visible a dimension of nurses and nursing care that policy texts rarely do. Together, they show how relational care, dignity, and belonging are  core components of health systems and professional culture. They tell a new nursing narrative through the arts 

Conclusion

Developing a professional culture for nursing requires three shifts: balancing utility and emancipation thinking, using all of Carper’s ways of knowing and using the arts to help address inequity and improve health as well as advance nursing for 21st century care.

It must count what can be counted and insist that what cannot easily be measured still matters. 

Professional culture is shaped by what is rewarded, published, funded, and exhibited. It is also shaped by evidence unseen. If relational and ethical dimensions are excluded from the design these disappear.

Brecht’s work asked where the damp comes from. Nursing, as profession and as cultural force, must continue to ask this and sort it out, and the damp is more than damp. It cannot be painted over and be fine. Nurses help with health and relationships and trust and avoid the ‘damp’ happening, nurses build health systems that have humans at the core, nurses skills in doing this can be shown through the arts,  they cannot be seen on a rag rating score. 

References 

Abimbola, S. (2026). The evidence of things not seen. Health Promotion International, 41(1), daag016. 

Carper, B. (1978). Fundamental patterns of knowing in nursing. Advances in Nursing Science, 1(1), 13–23.

Haddara, W., & Lingard, L. (2013). Are we all on the same page? A discourse analysis of interprofessional collaboration. Academic Medicine, 88(10), 1509–1515. 

King James Bible. (2017). Cambridge University Press. (Original work published 1769)

ICN (2025) New Definition of Nursing.

MacGregor W, Horn M, Raphael D. Beyond Empathy to System Change: Four Poems on Health by Bertolt Brecht. J Med Humanit. 2024 Mar;45(1):53-77. doi: 10.1007/s10912-023-09801-5. Epub 2023 Jun 21. PMID: 37341851.


Will Artificial Intelligence be the Anaesthetic of Nursing? Reflections using Menopause as a Case of Nursing Care.

Summary

A woman sits in a clinic room, or perhaps at her desk, wondering aloud: “I think I am starting menopause and I am lost what to do.” In that moment, the response matters. It can soothe or confuse, empower or diminish. This paper explores how artificial intelligence (AI), now entering health conversations, might respond. Using Carper’s four ways of knowing as a lens, I asked ChatGPT to generate four replies to that single statement. Each reply reflects a different way of knowing: empirical, ethical, personal, and aesthetic. The shift exercise reveals both the promise and the problems of AI in capturing the art and science of nursing. AI offers facts at speed, frames options, mimics empathy, and gestures toward metaphor. Yet what is missing, presence, accountability, attunement, may become just as visible to the human involved. Drawing on Patrica Benner’s (1984) theories and practice of being in nursing, I reflect on whether AI will automate or augment nursing practice, or will it take sympathetic presence and human connection out completely? Will AI be the anaesthetic of nursing?

This essay is an off shot of thinking from my work evaluating innovatove approaches to menopause services and care. I ponder how artificial intelligence (AI) can both support and disrupt communication in menopause care through the lenses of nursing theory and a bit of personal experience. I wanted to see what AI would do if I programmed it to respond with some of my findings as to what women value in their (our) menopause care.

Using Carper’s four ways of knowing (Carper, 1978) as a framework, I asked ChatGPT to generate responses to the statement “I think I am starting menopause and I am lost what to do.” My analysis highlights the pros and cons of four types of AI generated responses, I ponder the accuracy of content, the type of communication, and the relational qualities of care. I reflect on this reflected in relation to Benner’s (1984) definition of Being a Nurse, which situates nursing as more than technical skill, emphasising presence, ethical practice, and relational artistry. I discuss the potential of AI to automate or augment nursing, noting where it may add value and extend access to information and where it cannot provide relational, ethical, and aesthetic knowing. I conclude by asking: if you were in this situation and asking this question to an AI bot, which response would you prefer?

Introduction

I am writing this paper because I am evaluating innovation in menopause care. For many experiencing menopause, this life stage can feel disorienting: full of bodily changes, emotional turbulence, and uncertainty about what is “normal” and what warrants medical attention. At the same time, menopause is gaining attention in public discourse, with calls for better recognition and more compassionate care.

I am noticing the emergence of AI as a tool in health care (NHS 2025), and see this is menopasue care too (Ang and Hillard (2025). Increasingly, people are turning to chatbots, search engines, and digital assistants for advice about symptoms, treatments, and self care. Health professionals too are being encouraged to use AI to summarise guidelines, generate patient education material, or even simulate clinical conversations.

I am curious about the similarities and differences between human and non-human responses to personal and cultural and social health issues like menopause. Issues arise both in the content of the information (Is it accurate? Up to date? Biased?) and in the type of communication (Is it empathetic? Relational? Respectful of an individual’s autonomy, values and cultural norms?).

Nursing communication is complex: it is more than what is said. It involves tone, presence, silence, gesture, intuition, and the weaving together of knowledge, ethics, relationship, and artistry (Carper, 1978). Nursing care in complex too, and the challenges in showing the complexity, ensuring equity, power and gender balance in nursing leadership, and creating a system in which nursing is heard (Stillwell and Newman 2022) are influenced by how nurses are seen, now nursing is understood and who decides what nursing is, what it is not, and what is needed in 21st century care.

Method

My method was straightforward: I asked ChatGPT to respond to the same patient statement. “I think I am starting menopause and I am lost what to do”. Using Carper’s four ways of knowing as a prompt to respond to this sentence. This programming of artificial intelligence produced four distinct AI generated responses, each reflecting a different way of knowing. I considered these responses to see how they reflect the art and science of nursing, and our professional styles of communication and I wonder which one I would prefer. I set you the same question: If you were in this situation (this already takes some interpretation), which response would you prefer?

Here they are. Four AI Responses

AI Empirical Response

“Based on your age and the symptoms you’ve mentioned, it is likely you are in the perimenopausal phase. Studies show that menopause typically begins between ages 45–55, with symptoms including hot flashes, mood changes, sleep disruption, and irregular cycles.

There are several evidence based treatment options available, such as hormone therapy, non hormonal medication, and lifestyle adjustments. I can provide a summary of current clinical guidelines tailored to your profile. (I had not told it my profile.)

AI Ethical Response

It’s important that you are aware of your choices and that your autonomy is respected. Some people prefer not to use medications and instead explore natural or lifestyle,based approaches. Others may find hormone replacement therapy to be the right choice for them.

Each option has risks and benefits, and no one approach is universally right. I am here to outline options without bias so you can make the decision that best aligns with your values.

AI Personal Response

It sounds like you’re feeling lost and perhaps overwhelmed by these changes. Many people share this uncertainty when they enter menopause. Would you like to tell me more about which symptoms affect your daily life the most; sleep, mood, energy, or physical changes? That way, I can focus on the areas that matter most to you and provide resources tailored to those concerns.

AI Aesthetic Response

Every person’s journey through menopause is unique. Some describe it as crossing a threshold into a new stage of life, one that brings challenges but also renewal. If you’d like, I can share stories, journaling prompts, or mindfulness resources that help reframe this transition as an opportunity for self,discovery and growth. You can choose the narrative that feels most authentic for you.

My Thinking

Each AI response reveals both pros and cons. The empirical response is efficient and informative, yet lacks the warmth of relational framing. It also went for a personal profile that was not given, an is wrong. The ethical response demonstrates respect for autonomy, but does so with generic phrasing, lacking the accountability of a practitioner. The personal response uses empathetic language but cannot convey true presence. The aesthetic response attempts metaphor and meaning, but risks cliché. I think being on a journey is a nice way to say it but is not really what it feels like.

Together, these highlight Benner’s (1984) point that nursing is not only about technical competence but also about being present, responsive, and attuned to unique individuals.

Discussion

The broader question for me is whether AI will be used to automate nursing, replacing human presence with digital scripts, or to augment nursing, extending access to information and freeing time for deeper human engagement. Automation risks reducing nursing to a set of protocols, stripping away ethical discernment and aesthetic artistry. Augmentation, by contrast, offers promise: AI can improve access for all who can use it to reliable information, standardise prompts, and enable people to be prepared with some of the knowledge needed for richer conversations (be that right or erong for their situation). The limits therefore become clear when testing this approach out for menopause nursing care.

AI cannot empathise, help shoulder moral responsibility of somoeone’s life, cannot dwell in silence, and cannot interpret the meanings of life transitions, that journey, in the deeply situated way a nurse can.

Aesthetic knowing, also called the art of nursing, focuses on holistic, subjective, and creative aspects of care, emphasising empathy, intuition, and the ability to meet unique patient (person) needs. Here the danger from AI is perhaps most worrying for me. Will AI become the anaesthetic of nursing, (removing that aesthetic care, dulling human relational connection, removing human creativity, flattening the subtle art and nuances of nursing, what some call ‘just being there’ into predictable phrases? Or is there hope. I am always the optimist and taking an asset based approach here. Can AI be designed to enhance artistry, amplifying rather than erasing the human aspects of care? Or should it?

Conclusion

When a person voices uncertainty about menopause, the exchange that follows is never just about symptoms. It is about our identity, dignity, trust, and meaning, the meaning of this in the context of a full life, and in the context of the culture women live in where this is not seen as a journey, it is an end! This ‘end’ world (maybe not the whole world) view is being turned around in many ways. The evaluation of menopause circles (Lynch 2023), the work of Eleanor Mills on Queenagers (noon.org.uk) and the work with women in the arts (Morden 2024) all bring new ways of knowing to what it is to be in the menopause and what support is sought. Carper’s framework makes visible the richness of nursing communication, allowing all ways of knowing to be noticed. Patrica Benner (1984) reminds us that nursing is about being present, not just doing tasks. This is what has kept me in nursing, and kept me studying nurses. I believe that AI may support, but it cannot replace, the art and science of nursing. Its use must be carefully considered: will it automate or augment? Will it anesthetise or enhance nursing care?

I go beyond the clinical gaze (as Foucault (1973) would say), beyond the clinic where we started this discussion ro the wider issues of women’s health, power and the future. I have so many questions that are also being asked across nursing, beyond those of women’s health issues and into issues of social justice and gender equity. This is a wider consideration that frames where menopause sits in our life, in health systems and in society. Does menopause matter? Does it matter that the leaders within nursing are disproportionally male considering the demographics of the profession? Does this change the ways of knowing used in considering the future of nursing, or are the ways of knowing not linked to gender roles or socialisation into behaviours? Does it matter that those writing about AI and the menopause referenced here are male? If it does not matter then have we done all that is needed considere to consider the equity impact? If it does then what are the issues and actions for all involved? Does AI in and for nursing need to be more nuanced if it is to provide both the art and science in nursing, or is the current pathway okay?

More questions than answers here. I engage with the arts to help ask more questions, answer some of these questions, and expand aesthetic ways of knowing in nursing just a little more.

Come and join the webinar on Thursday 13th November, hear from Rebecca Morden from Scary Little Girls about their show Queenagers, from myself about Paula Rego, and others too. No slides, no hormone conversations, a fireside chat to expand your ways of knowing.

See resources page here for the links to webinars past and future.

References

Ang, S. B., & Hillard, T. (2025). Preparing for the future: artificial intelligence in menopausal health care. Climacteric28(2), 95–97. https://doi.org/10.1080/13697137.2025.2469476
Carper, B. (1978). Fundamental patterns of knowing in nursing. Advances in Nursing Science, 1(1), 13–23.

Benner, P. (1984). From novice to expert: Excellence and power in clinical nursing practice. Addison,Wesley.

Foucault, M. (1973) The Birth of the Clinic: Archaeology of Medical Perception. London. Routledge.

Lynch, M. (2022) Menopause Circles with NHS Nurses. Evaluation Report. ELC Design.

Morden, R. (-) Scary Little Girls Theatre Company. http://scarylittlegirls.co.uk/

NHS (2025) Fit for the Future. NHS. https://www.england.nhs.uk/long-term-plan/

Noon (-) Queenager Directory. http://noon.org.uk/

Ravi, P. (-) Group Clinic Case Study. Orpington PCN. ELC Programme Person Centred Care. https://www.elcworks.co.uk/wp-content/uploads/2025/02/Orpington-Menopause-CS-V2-040225-1.pdf

Stillwell, B and Newman, C. (2022) Nursing Learning to be Powerful Leaders: What will it take? Creative Nursing. 28 (1) pp23-28

Please reference Lynch, M. (2025) Will Artificial Intelligence be the Anaesthetic of Nursing? Reflections using Menopause as a Case of Nursing Care. Essay. ArtofNursing.co.uk if you use any of my words here. I wish to shine a light of the issues, and expand thinking, so lets do this as humans.